Waves maserati vx1 torrent software#

Thick Rhythm, for instance, includes aВ very plausible doubling effect when you crank up the delay time (which is limited to aВ short slapвЂ‘back). There's scope for adjustment, of course, but the overall effect is very slickвЂ‘sounding. All the other settings are quite obviously effected, but in aВ way that sounds good right out of the box. In this mode, even with all the effects turned to minimum, there's aВ very subtle tremolo effect when the FX knob is turned clockwise, while the Vibrato knob, when turned up, gives aВ shimmering, almost rotaryвЂ‘speakerвЂ‘style modulation.Д¬lean mode adds no obvious effects but allows aВ useful degree of tonal change, as well as applying some dynamic processing, and, like all the mode settings, seems to include aВ lowвЂ‘level expander or gate to keep pauses clean. There's always an FX level control to adjust the signal sent to the effects section. For example, in Thick Rhythm mode you get to control the delay time, stereo width, vibrato and chorus on or off.

The individual effects within GTi are controlled via the smaller knobs at the bottom of the screen, which adapt to the types of effect being added. The same control paradigm extends right through this range of plugвЂ‘ins some controls are greyed out when not used in aВ particular mode, while some of the others change function. In Thick Rhythm mode this is greyed out, while the FX section grows aВ second Presence control. If you can get the lamp showing amber but not red during louder sections you're pretty much set to go, though you can occasionally get desirable effects by running the plugвЂ‘in slightly hot or slightly cold.ДЄll modes have Presence controls and all except Thick Rhythm have compression adjustment in the form of the Tame knob. This is accompanied by aВ threeвЂ‘colour signal light to help you optimise the input level (necessary for any dynamic effects to work correctly), aВ round retro meter that can monitor either the input or output level, and an output level control. As with the other plugвЂ‘ins in the collection, some of the controls change as you switch modes, but the Sensitivity control is everвЂ‘present. GTi offers five modes, named Clean, Clean Chorus, Heavy, Thick Rhythm and Soft Flange. The main thing to understand about this plugвЂ‘in is that it doesn't do guitar amp modelling or overdrive - it's there to allow you to polish the sound once you've recorded it, and this it does very well. The source guitar sounds can range from clean to overdriven, and the plugвЂ‘in can also be used to add colour and movement to electric pianos. GTi Guitar TonerДЇirst up is the GTi Guitar Toner, which is aВ dedicated tool for polishing electric guitar sounds. MonoвЂ‘in, stereoвЂ‘out and stereoвЂ‘in, stereoвЂ‘out versions of each plugвЂ‘in are available. The load and save format is the same as with other Waves plugвЂ‘ins, as is the ability to create and compare AВ and B versions, but there are no factory presets as such. Running in native mode on both Macs and PCs, the Maserati Collection supports the native VST, AU, RTAS and Audio Suite plugвЂ‘in formats - there are no TDM versions. While stripping the controls down to aВ bare minimum may rob the more advanced user of some flexibility, the idea is that the sense of instant gratification you get as soon as you switch them into the signal path should more than make up for this.

There's no clue as to what original hardware components are emulated in any of the plugвЂ‘ins or processing modes, but then that doesn't really matter: this suite of plugвЂ‘ins should be judged on its results. The result is that with just aВ handful of knobs and buttons, you can arrive at aВ highly produced guitar, bass, voice or drum sound very quickly. Tony Maserati has his own favourite signalвЂ‘processing chains for specific applications, and what Waves have done is recreate those chains in software, bringing out only those controls that Tony would normally adjust during aВ session and leaving the rest hidden. Maserati has worked with artists as diverse as Black Eyed Peas, Beyonce, Alicia Keys, Macy Gray, Sting and David Bowie, and in March 2007's Inside Track feature ( /sos/mar07/articles/maserati.htm), he talked to SOS about his work on John Legend's 'Save Room'. Waves have clearly taken steps in that direction with the Maserati suite of plugвЂ‘ins, developed in conjunction with awardвЂ‘winning mixer Tony Maserati.

Waves maserati vx1 torrent software#

I have, on occasion, suggested that music technology software might be made easier to use if it was approached from the musician's point of view rather than the engineer's. Most of us can't afford to have Tony Maserati mix our tracks - but thanks to Waves, we can now use his personal effects and processing chains in our ownВ mixes.